Francis Bacon (Thames and Hudson, 1971)

One of the earliest comprehensive studies of Francis Bacon’s work. The book explores Bacon’s distinctive style, his philosophical and psychological approach to painting, and the themes of violence, existentialism, and the human condition that permeate his art. Russell examines Bacon’s influences, from classical art to photography and film, and discusses his unique techniques, such as his use of distortion and unsettling imagery.

The book is richly illustrated with colour and black-and-white reproductions of Bacon’s paintings, making it a valuable resource for understanding his visual language. Russell’s writing is insightful yet accessible, aiming to place Bacon within the broader context of 20th-century art while acknowledging the deeply personal nature of his work.

Near fine book in very good dust jacket. Slight foxing to prelims.