The Resurrection of Vorticism and the Apotheosis of Wyndham Lewis at the Tate by William Roberts

Roberts’s feisty attack on Wyndham Lewis and a critique of The Tate’s re-presentation of Vorticism as being primarily about him. Roberts felt that the narrative around Vorticism was being skewed to place undue emphasis on Lewis, thereby overshadowing the contributions of other artists within the movement. Condition: near fine.