Pre-Raphaelite Drawing

The book is lavishly illustrated in colour with the most important Pre-Raphaelite drawings from public and private collections around the UK, including striking works by Dante Gabriel Rossetti, John Everett Millais, William Holman Hunt and Edward Burne-Jones that have never before been exhibited or reproduced.

Pre-Raphaelite Drawing explores the vital role played by drawing and design, in all its variety, in the work of the Brotherhood and their associates. Alongside studies for paintings of religious, literary and medieval subjects are the group’s portraits, self-portraits and caricatures, often exchanged as gifts; meticulous depictions of nature by John Ruskin and his followers; captivating drawings of the iconic Pre-Raphaelite models Lizzie Siddal and Jane Morris; and original designs for stained glass, textiles and ceramics.

The author explores the emergence of the Brotherhood’s graphic style, their theories of naturalism, their radical promotion of new subjects, and their highly original use of watercolour as a drawing medium. He also demonstrates the impact that Pre-Raphaelite drawing had upon turn-of-the-century British art movements such as Aestheticism, Symbolism and Art Nouveau, and explores the role of drawing in the work of leading Arts and Crafts designers such as William Morris, William De Morgan and Florence Camm.

Colin Cruise studied fine art at Hornsey College of Art and Victorian Studies and English literature at Keele University. He has lectured and published widely on Victorian art, literature and religion, specializing in the Pre-Raphaelite Brotherhood and the Aesthetic Movement. In 2005 he curated the major exhibition on the work of Simeon Solomon for Birmingham Museums & Art Gallery.